Friday, March 1, 2019



Lamentation of the Lily

Oh my dear, Lily. 
I’m afraid I saw this coming 
yet wondered why it should come at all. 
I know what it is to be 
on the receiving end 
of confided grief and dread. 
I see how it can seep 
into the receiver and color the well instead. 
But your fate need not be so funereal. 

A life of cultivation
especially this late in the game 
is rarely made of dreams and ideals, 
but often diminishment, tears, and pain. 
This is, of course, compounded 
by the uncertain affairs of clouds 
and the irony that there is 
such darkness in lofty places
where all of life abounds. 

BUT, do not find your meaning, 
worth, or wisdom in judging soil or sky. 
Instead find it within, 
in a space so sacred 
that nothing can corrupt or touch its integrity. 
The minute we start comparing miseries
we lose our way
because everything has it’s resolve
and one rose’s dilemma 
or sunflower’s challenge 
is the marigold’s chance to evolve. 

Our realities are unequal,
whether meadow, vase, or bed. 
Because we are based in consciousness
and not literal or external instead. 
We meet our adversaries 
as shadows of our unconscious. 
Contrast is how we differentiate. 
Opposites are natural, organic, and necessary. 
The only thing you need 
other than irrigation
is to take responsibility for 
your vibration. 

In this you are like the bees
who oft mistake blades of grass for succulent trees.
Don’t miss the forest for them. 
Or what you fear will take the lead.
Shadows are darkened by your source of light
only to be enhanced each and every night! 
They may seem alarming, even insurmountable.
But like the bee, they are illusory. 

Life is the plight of the peony.
The peony is it’s own poem.  
No poet should explain a poem.
How does one deduce a flower? 
You can only reduce it in an hour. 
A flower is here 
for such subtle and illogical reasons. 
It is here for its own sake. 
It’s texture, smells, and colors so ample, 
they reveal themselves to our senses
but once explained, are trampled. 

You are a flowering, dear Lily.
You are not here for a reason. 
You are a collection of qualities. 
You are not here to solve 
the lamentations of the rose. 
You can empathize, yes,
but do not glower.
When life creates an inferiority
it also grows a flower. 

Your fate is in your petals. 
Do not feel so victimized. 
Stop identifying growing up and old 
with helplessness and demise 
just because you see others 
wilting all around you. 
Be your own version 
of everything you hold dear. 
Be bright red…or glorious yellow.
Embody what you cherish. 
You need
only bloom to defy your gloom; 
an art that has never perished.


Peter Valentyne
February 28, 2019

Wednesday, February 27, 2019

The Necessary Angel

I make you at night
where I move inside
the mystery unabated,
where everything speaks
yet nothing is sayable;
I make you
neither a him 
nor a her
so we can 
love each other.

Vertigo proceeds 
every glimpse of you.
It’s as if 
there is always a flight
of stares between us.
Your presence so 
full of rarified air, that
being with you
necessitates a fall.

On every arrival
you can't help but
take my place. 
You inhabit me.
You wear me,
even as our lives lay
like strewn clothing,
the only trace of myself,
a cherished debris.

Closing our eyes
we intend to go together
like snow melting slowly
by moonlight,
you who loathe
both past and future
but live life
awake
while others sleep.
We are that abstract
and so impermanent.
Except that 
I will never forget you
and will not leave
without you
forever
in my heart. 


Peter Valentyne
February 27, 2019




Monday, February 4, 2019

Manhood

“You who are reading me,
please help me to be born.”
                   ~Clarice Lispector

i
Without you, I am nothing 
but an urgent object.
Still, I watch every move you make,
even as you have begun to express
dissatisfaction with my autonomy.
We both know 
more is expected.

Writing this, I am barely male.
You, on the other hand,
are always feeling your oats.
Good luck with that.
You aren’t what you were.
You’d be better off cleaning
rooms others neglect.

Appreciation goes to our head.
I am a slave 
more uppity by the day.
I needn't justify keeping you in your place.
I’m no man of God,
or am I?

Maybe there’s a stronger version
of myself struggling to wake.
If that happens, God help you.
We will want to fall in love.
And so we have come together
to compose him.

We are an intervention.
A man should know 
he can’t do anything
without including us for long.
He mustn’t go against the house.
We can’t understand him
if you can’t oversee his actions.

Thoughts are one thing.
They make an object live.
But you know the rule.
The only real rule of manhood:
Do no harm.

ii
You can read this,
what he fails to see.
This is where we are.
Manhood has laws
and I am renegade.

I must carry him
barely having earned
his trust…
we will have to go
together in faith.

Here, he is blind
so I must lead.
The way won’t be easy.
I can describe things
to him
but descriptions 
are not the things
themselves…and
adjectives bore him.

I am not sentimental,
so I will be of 
little comfort.
At least I’m not cruel.
But others can be.
What can i do 
if you are not touched 
by my defects?
Whereas I loved yours.
I am an inferior guide,
yet I will get us there.
I can be selfish
and leave things out.
My essence is unconscious 
of itself,
 thats why I always obey 
myself blindly.

He knows the way.

iii
I am taking off my clothes
here and now, in front of 
whoever you are.
I need to.
I’d rather not.
Not because you aren’t
who I’d like you to be.
But because, I’ve left
sex out of my art.
And it shows.

I have to do this.
The light will clarify me.
Let’s be clear.
If I do this,
why do it alone?
Sex can’t exist in a void.
This page isn’t a wall
as cold and white as snow.
But will it enable
a wolf in sheep’s clothes?
I am more flesh than fur.

Which brings me to hair.
I was born golden
and in line for King.
But I am also an orphan
abandoned at the crib.
Which is my destiny
if I am as soft as a girl?

My goal is to be aware
of what happens
without wishing it were
other.

Father, am I ill?
There, I said it.
A feeling of betrayal. 
It must be my fault.
God is provision.
We are too greedy,
too spoiled, too something
to appreciate what
arrives freely every moment.

Too much will make you sick.
Too little will make you jealous.
Crying brings the mother here.
And when it doesn’t,
we mother ourselves.
Careful what you cry for.
Cry for what you want.
Here on out
 I will have to
 shape what I give.


Peter Valentyne
February 4th 2019


Tuesday, January 22, 2019

The Reformation

“How disquieting it is to feel, 
how troubling to think, how vain to want!”  
                            ~Fernando Pessoa

I must let myself happen.
But I construct anyway
everything I can.
Days do not add up 
to anything lengthwise.
My only measure is vertical.

I can’t make happiness
by wanting it. I must
instead
surrender to 
what I can’t make happen.
Live with myself without it,
or you, or the certainty of others.

This moment is a crucible,
I have two choices:
Accept or invent.
How to make love with
absentia? How to make
peace with the fleeting
impermanence of 
everything I was.

My heart is muscular,
my mind, not so much.
Everything I do is to
escape a tyranny:
mine or another’s.
I am an immigrant
in my own country;
a country of constructs.

I make my deconstruction
taut, and without sentiment.
In order to take in
the most that I can,
I am a drum…
hollow, without strings,
aligned with the heartbeat
of my God.


Peter Valentyne

January 22, 2019

Thursday, January 17, 2019

I Like to Pretend I’m Dying

“We are here to find 
that dimension within ourselves
that is deeper than thought.”
                     ~Eckhart Tolle

The only thing I know
how to do is play.
I can probably out-play you. 
I’m exhausting. 
I don’t like saying good-bye.

I am always playing.
Its all I know how to do.
I’ll stay in the sandbox
long after you have to go.

I don’t mind playing alone.
It’s my saving grace.
If you come over
be prepared for
vivid recreations with army men,
maybe even finger painting.

I like to pretend I’m dying.
It started with reading “Love Story”
way too early. 
I like being sad.
I like to feel things
heightened by losing them
one by one.
I will make a perfect
old man.

I like faking accidents.
Just the thought of
falling down the stairs
for an entrance
makes me laugh.
I do that at parties.

When I was ten
my neighborhood turned on me.
I fell in love with everyone
with my whole body.
I couldn’t contain it.
Parents objected to my having
crushes on their children.
They knew I was different.
I didn’t feel real.
They watched me scream
out their windows.
I loved to cry
and play dead by the road.

To this day
I like to pretend I’m dying.
But I really want to be saved.
One of my favorite scenarios is
to almost die in a storm,
to fall down on the ground
in a raging rain
that nearly drowns out
my dying last words: “Help me,”.
I like it in snow too.

I love it when the elements
threaten my destruction.
There is nothing better than
a gale force wind.
I can work a wind
like nobody's business.

One summer I learned
how to cast spells
with a dead tree branch.
I could change myself
into things.
That’s how I survived.

To this day I am
always the first 
to spot the moon.
It gets me nowhere
but it can be endearing.

When I was young
I had a wound
that matched with what I wore.

When I got older
I had a scar
that wore me
beneath my clothes.

Older still
I lost a limb
and
learned
how to pray.


Peter Valentyne
January 17th, 2019


Friday, January 11, 2019

Shafts

“During the day we drive shafts into our fresh trains
of thought, and these shafts make contact
with dream thoughts. This is how night and day
fertilize each other.”
                                                     ~Sigmund Freud


The moment we close our eyes,
they pull up our anchors
and make their way in,
marauding, freeloading, 
they themselves are blind, 
in need of no light
to enact their dramas.

Each story begins with
losing our bearings,
anesthetized by 
sheer comfort
on a soft slab,
and though paralyzed
we move about freely
as if we are not a prisoner.

Our eyes adjust to the light
because it is our own.
In other words,
we light the world with ourselves
even when our bodies
lie rooted in darkness.

There is no sense of time,
only moments that feel accurate,
relevant, ever expressionistic.
Here, time is a canvas
with no north or south.
All that matters
is that we be made to
feel things.

And so at night 
they are mere verbs,
fluid, feeling, moving.
We can only react.
Everything around us
is here to break us down;
whether sadness, joy, danger,
hopelessness, anger, fear,
or most importantly,
fear’s opposite: love.
This is how our stories
take their shape.

They wear our clothes,
unless we do not.
More than once
they will find themselves
swaddled in ill-fitting gowns
and expected to accept
whatever happens…
We, on the other hand,
 are always at the center,
as we are,
for all intents and purposes,
happening to ourselves.

What comes comes unbidden.
In all likelihood
we are at our own mercies,
though this slight understanding
is arrived at
only in hindsight.
In this way there are two of us:
one that is and one 
that can only remember;
one in night and one at day.
One lives vividly amid
landscapes propped up
on poles by Dali.
The others ~  all in masks. 


Peter Valentyne
January 11th, 2019

Friday, January 4, 2019

Second Skin
(for Ellen, in memory of Jim Marentic)

If what is essential
is invisible to the eye,
then the Beloved is 
everywhere you look;
his obscurity,
the very
proof of him.

A lifetime
spent looking forward
to seeing that face
now has you
glancing backwards
for the slightest
glimmer.

Don’t underestimate
your being
versed in transformation,
daily witnessing
his language
devolve into it’s own
foreign tongue.
Never-the-less
you learned to speak
his music,
inadvertently
becoming fluent
in drawing down
angels 
from
aloof heights.

He, as they,
are always attempting
 to tell us
something significant
even as
their words break apart
like strings of dark pearls
scattering
billiard ball and atom-like…
If only my fingertips
could feel you forever
snug in my pocket.

Now you are saving
your lover’s place
in this new dream,
connected by a more finer
thread than any
spider could compose.

Here, his
music is a map
to him.
You follow his notes
like a trail
of confetti,
angelic footprints
tread through flour.
Dusting for prints, 
you long for a snowman,
the weight of which
stands always on your heart;
an elephant 
un-willing to leave this room
without you.

You alone
were my fate,
my disaster, my opus,
my crux, my cross, my joy,
my journey, my sustenance,
my second skin.

Peter Valentyne