Tuesday, March 31, 2020



Nocturnal 
Transmissions

I wake homesick 
for another world,
even as 
yet another world 
let itself in
via the t.v.
to taunt me,
both Trojan horse
and 
cave of shadows,
trotting out
it’s patter-song 
of brutal banalities.
I vow 
to make a pyre.

Outside, the cold 
clamors to get in
as I lie threatening
to push the bed 
up against the door
like a junked cradle 
that bringeth
no comfort.

After last night
I've become determined 
to ignore everything
that is not me
and give the memory
of you
my full attention.
But you 
fade so fast.
 How can I keep
you with me
when even my
own name is
no more than
a makeshift mask
barely concealing 
the sins
of the world
as my own, if 
only by osmosis.

I yearn to learn
the life-saving
 art of overlooking,
but out of
what troubling
necessity? 
Un-prepared to 
take on the burden
of too much 
reconciliation,
I wrest
and dis-own my own
 mercurial evidence.

I confess I
prefer my trials
under the cover 
of night 
where I can
 be blameless,
free from the bondage 
of belongings,
blissfully
unaware 
I am
the smoking gun
of my own longing.

By living a nightlife
made of
knee-jerk reactions,
a collective psyche 
is hardly a tyranny 
I can count on 
waking from.

After giving 
this morning
the ole’ college try, 
I end up crying
while doing crunches,
an un-arranged marriage
between my
weakness and strength.
No, this is how
I build the stamina
to see you again.

Had no angel
appeared last night
let alone
replete in a tattered 
wife beater
with the words 
WAKE UP
emblazoned across it’s chest,
(in white cotton
no less!),
I might never
 have known 
we were married.

By making love
with a phantom,
I’ve come to accept
my body’s weeping.
True, my mornings are
versed in mourning,
all because of our
reversed metamorphosis
by way of a dream; and
the inevitable evaporation 
of your wings.

Peter Valentyne
2020 in the year of Corona


Tuesday, March 17, 2020





Love in the Time of Corona

I woke up at 4:00 AM 
determined to make something. 
I got up because I had 
to give art it’s chance to heal. 
Though nothing I do is uncreative, 
it feels as though I am 
married to the world 
solely to love and be loved. 
Yet the world lies asleep in its bed. 
Or so it seems.

How do we go about our days 
sans business as usual? 
My habits feel like shadows 
without a source of light. 
And so I vow to change my ways. 
I am looking into how 
to make a flower from scratch. 
I am my own bit of earth. 

Must everything have a wretched fate? 
The artist always says no. 
I don’t want to get up, 
I want to rise.
 Am I interesting enough to be spared? 
I want to be worth living.  

I began this odyssey 
with a bout of spring cleaning...
unearthing several forgotten treasures. 
A photo of my mother 
as a pretty young girl. 
A nude self portrait in colored pencil. 
A blank unused journal.

My cat, keeps kneading the armchair 
as though desperate for milk. 
I too wish for milk from a chair. 
I’m struck by her dance 
in this strange trance state. 
What do I do like that? 
Where am I so unconscious and why? 
Familiarity breeds contempt, 
but I barely feel it. 

I want to wake up...
but in such a scary time. 
What a fine time to come to my senses! 
But I know waking will make a difference. 
Here in my home of carefully arranged junk
in hopes of becoming content and unafraid. 
My cat is my shepherd and I shall not want.

Our lives are without rules 
though full of laws, I think
this illness must mean something. 
But so far it is like a forest in a film, 
provocative even as it smells of nothing. 
The old ways no longer suffice. 
So now, every morning, 
I go in search of Easter 
to make my days worthwhile. 

Why then do I feel 
locked inside an unnatural history museum? 
I want to make a stunning new thing 
and call it “Today”. 
But first I have to reckon, 
no grapple, with the old ways as
they no longer work in the here and now. 
The usual balms have lost their salt. 
Is this room nothing more than a body 
held together by standing so still?
I want to trade in my television for a God. 
I want to go pagan in an unfurnished room 
where a potted plant
is a much needed nod to all that is wild.

I put the picture of my mother 
in a frame so she can’t desert me. 
The kitchen sink is a Walden’s pond 
I can barely make out my reflection in. 
So I start to write...
each line requiring an open heart surgery. 
My first and last hope is to recover. 

Can one get salt water from a tap? 
I must make something out of this nothing. 
A cake from homemade flour. 
I want to die by a river, not a faucet!  
I don’t want to get up...
I want to rise. 
I want an art that will 
save me with its urgency. 
And save us all as well.

Peter Valentyne
St. Patrick’s Day 2020


Monday, February 10, 2020

"Perhaps poems allow for the descent and the ascent.
Perhaps that is their secret balm."
                                            ~Deirdre Jacobson



ORDER ON AMAZON
https://www.amazon.com/How-Live-What-You-Know/dp/1543988482

⭐⭐⭐⭐⭐ 

First Review by Amy Raines for Amazon Publishing
Through times that make one question life and its very
being and thoughts of knowing love when we feel like
the unlovable, Peter Valentyne has put these moments
of emotion into in his poetry in How To Live With What 
You Know. Moments of questioning God, Earth, love,
prosperity, and joy in the face of life’s trials can hold
much more than their supposed final decree. Does life
have to remain sinister when certain events shake us
to our core? Can we find purpose and meaning in the
depths of life’s greatest questions? Can we cope with the 
unanswerable riddles without coming undone? With living
comes wisdom but sometimes that wisdom is hidden;
we have to look past simple events to find out what we
really know about living.

The poetry in How To Live With What You Know by
Peter Valentyne will make the reader ask and answer
questions that lead to more profound reasoning about
life and existence. I love the straightforward way
 writes his poems. There is no essential need for endless 
rhyme schemes or perfectly-sized stanzas when the
words evoke deep and passionate emotions from the
reader. I can honestly say Valentyne’s way of questioning
the core of reality and existence is nothing like anything
have ever read. Among all of these brilliant poems, my
absolute favorite is Everyday Life Of A Hand Mirror.
simple title betrays the deep resonating meaning of
people getting so caught up in their own conceited view
that they refuse to see what is happening in the world
them like zombies via reflection. I recommend How To 
Live With What You Know to anyone who loves poetry
that resonates away from the cliche of rhyme and verse.
I hope that Valentyne has many more collections
of brilliant poetry to share with us in the future.


Deep and insightful. Layers of thought-provoking, deep, insightful and philosophical poetry ! A must read !                                                                                                 ~Melanie
Having never been an avid reader of Poetry, I wasn't sure what to expect when this collection appeared! I usually found most to be self indulgent or pretentious, never finding any that spoke to me. Mr. Valentyne's work is something i couldn't imagine in my wildest dreams!! But he did in his and i've been moved to tears and exhilarated. After several readings, I still can't find a favorite. The writing here is exquisite, illuminating, inspirational and moving. Peter Valentyne has given us a gem to treasure. It is a must have!! I'm looking forward to much more!                                                                                                  ~Barnet
A Wonderful Poetic CollectionPeter Valentyne's poetic voice is a profound and revelatory treasure of dream and waking ruminations on life and living. His poetry stimulates the reader to examine his own being and offers continuing pleasures with each re-reading. A wonderful and rewarding collection indeed.                                                                                      ~David













NOTE: Your comments would be much appreciated. Please share them at:               Petervalentyne@yahoo.com


The Pedestrians

When will we realize
that fears and insecurities
are imperfect signs of 
a latent goodness
that lead us
to empathy?

Because you had 
not sinned,
I thought you were good.
You were not good.
You were fearful,
unimaginative,
moral,
young. 

Those who think
themselves superior
are in fact, inferior.
Who said that,
Pythagoras?
Regardless,
I caution you.
Like judges
who only follow 
other judges rules,
they can only follow;
their’s is a borrowed
conviction.

My dreams keep 
my ear pressed
to hallowed ground,
that I should be first
to hear
the rumblings of hooves
in the event of
my own private
apocalypse.

But for now,
the rarity of last night’s
pleasant dream
has caused me 
to retrace my steps.
I hadn’t more or less to drink.
No undigested bit of meat.
I hadn’t watched a particularly
potent film before bed.
But dreams aren't
made of facts,
though the fact
that I dream
gives the world 
such invaluable weight.

Clocks stop at 12:00,
So let us consider 13:00.

I don’t know 
if you’ll receive this 
or even respond. 
Poetry is hardly earth shaking
until it is. 
But I did want 
to say not to worry.
There’s nothing 
for you here. 
Only the
existential musings 
of a 
poetic heretic. 
Nothing you would relate to 
or appreciate. 
I’ve learned over the years 
that when people close doors 
by way of inexperience 
and judgements
they seal themselves off 
from discovering
what's truly vital
in the world. 

Even so,
I hope you find your
long sought-for pleasures 
(sensual or otherwise) 
rewarding 
and your judgements 
protect you 
from the unmistakable stain
of enlightenment. 
Stay safe and above the fray! 
For Truth and Beauty 
are typically
the first and last
lovers
to be 
relinquished.


Peter Valentyne
February 10th, 2020

Thursday, December 12, 2019


The Uninhabitability
of Yesterday's News

We’d be fools
to reduce
the stars to
poetic constraints,
and the moon
could do worse
than go on
highlighting 
our lives
from afar,
swooning
half hearted, 
chock-full of
unwarranted envy,
yet, yesterday
I came across
the meaning
of the Greek word
for metaphor,
simply put:
“to carry”,
and
because my mind
is a tongue
unable to leave  
a wound in
the mouth
alone,
my thoughts
probe the roof
of their cave
like a blind worm
impatient for 
flight.

Aren’t you
flummoxed by 
the self same
riddle?
 Finding
yourself
 feeling the unthinkable
as though you'd
previously
behaved a
perspective tourist
incapable of
summoning
your own
history’s
native tongue.

I’m sure of 
this:
we mustn't let go
of a single 
opportunity 
to love,
like the dog
I adored
who'd never
chosen to leave me
on his own,
practiced as he
was
in negotiating
my shadow.

I ask you:
If molecules 
cannot be destroyed,
only transformed,
how then are
any of us
different
from the 
snowmen
being
slowly undone 
by the sun?
The coal, 
the carrot,
the scarf;
mere
souvenirs of
temporary
selfhood.

Time
now appears
 a slippery slope
and I am
clinging again
to my sled,
swooshing
downhill toward
the origin
of all things,
heart beating
with imaginal wings
against 
the wood slats
of my first
and only
Fearless Flyer.

Who’d have thought 
growing old 
could have us
feeling like
children again,
tooth tethered to
a door knob,
forced to
improvise
our first act of
self preservation:
the stopping 
of time.
It would take
the rest of our lives
to master
anything  
so wistful.

Who could help
revisiting
that brazen act of
suspended imagination
even in the
here and now,
tethered to 
the past
by the thread
of a kite
cobbled out of
yesterday’s
uninhabitable 
news?


Peter Valentyne
December 12th, 2019