Sunday, May 12, 2019

Untidy Alice

“Tidy desk, tidy mind”,
her boss once said, in a
brusk, but pointed appraisal.
Alice had held back her response
(and her girlish crocodile tears)
by pressing her tongue
to the roof of her mouth.
Only an idiot’s mind is tidy.

That same week, she’d been told
by the Human Resources lady
with the arresting red hair,
a fellow worker had complained
(seeing as her desk faced
the communal xerox machine)
that her appearance was too unkempt;
a word Alice oddly favored.

It seems her desk had begun
to take on too much personality.
It being October, she had tacked
a series of brittle red leaves 
to her partition, as well as
random magazine cut outs 
of sinister pumpkin heads 
and a scowling scarecrow
that glared defiantly out 
at the entire department. 
Alice’s true feelings were always
barely buried in the details.

Unbeknownst to her fellow employees,
Alice had a terrible secret:
her fourth floor walk-up
in the West Eighties
looked substantially worse
than her chock-a-block desk at work
ever could. That was mere child’s play.
No, Alice made her home 
in what was for all intents and purposes
 a shattered looking glass.
But seeing as no one had, nor ever would
see where and how she lived save her, 
what was the problem?
But this little dust up with management
had made her feel like she had reduced 
her entire workplace to a trailer park. 
Or, as she liked to refer to it, 
Satan’s House of Financial Worship. 
The one perk of working in such corporate digs
was her ability to comb the internet for knitting sites
on her down time and printing all the best patterns
and designs while she drained the color ink
from the IBM xerox on the company’s dime.

Truth was, whether known or not,
Alice’s home would not have passed
anyone’s muster.
She couldn’t help that, nor did she care.
She’d long grown used to it.
(Nose-blind, if you will.)
Though there was nothing overtly odiferous,
as her kitchen had been 
crammed with miscellaneous clutter for years.
An onion had less layers.
No, more accurately, her apartment
resembled the nest of an egg-bound bird,
a dilapidated lair littered
with the droppings of some ravenous beast.

For instance, when Alice found a blouse
she liked, she purchased it in every color
of a triple rainbow occasionally
seen in the skies over the Serengeti.
Alice’s mind was made for both hunting and gathering. 
The buck stopped there and no further.
She made her killings entirely for sport
and rarely made use of her retail carcasses.
Rather than mounting her game on the wall
she was content to leave it bagged and tagged
 in indistinguishable piles splayed across the floor.

How will I know
what I think
if my thoughts
aren’t piled 
around me
like a make-shift
beaver dam?

How will I remember
mother if I don’t
keep her tethered to her
favorite polka dot scarf?

Alice kept her life in place
by not allotting things
their proper place
as her belongings awaited
their chance to be used.
It never came.

Out-dated checks, old receipts,
unopened mail, back issues
of Redbook & House Beautiful
extolled their haphazard story,
if not a cautionary tale.
Make that a grim fable.

Alice’s own life story was writ
within the same disorderly debris field.
She had tried everything once.
A hundred hapless hobbies.
Tap shoes, accordion, guitar,
mime (including berets and white gloves), 
yoga books and mat, several paint sets 
(watercolors, acrylics, and oils),
Etc. piled upon etc.,
once chosen, lingered un-used, 
and never to be discarded.
She lived day by day
with the forlorn sensation
of what it was to be buried alive
amongst tangible articles
made of her own faded impulses,
even as she remained
staunchly unwilling to relinquish
the evidence of any road taken
even with a single step.
Props reduced to artless artifacts;
bric-a-brac, Hummels, saccharine figurines.
She had a weakness for porcelain angels,
cherubs, and faeries;
 decorative objects without 
the modus operandi of proper care.
Her favorite was an angel made from 
pinecones with a soda pop top for a halo
 that would have been nice on a coffee table
at Christmas. 
At least it had made it to the stable.

Alice held herself in place
by unwittingly imprisoning 
and ignoring all that she owned.
Paralyzed by minutia,
her heart generating
it’s own gravitational pull;
nothing that found it’s way 
into her magnetic mortuary 
ever left the lady’s limbo. 
She was queen
of her own underworld
and this, her careless haven.

And so,
Alice could never have a visitor.
She could never make a meal.
She could never find anything,
though there was an eastward drift 
of bags towards the door
that contained her more current items.
For instance, she always knew where 
she wedged her keys and the Binaca spray
bottle, and the Secret roll-on, and her purse
which all formed a ramshackle Jenga
the equivalent of a bad hand at gin.
There was no bed, no t.v.,
she never cooked a meal.
She showered at the local Y
as her bathroom was co-opted
by boxes of books, records,
and old VCR tapes.

Alice herself was on the heavy side.
One might be forgiven in thinking
she stored her memories
inside her bulbous posterior.
Her facial features were pleasant enough
but her hair was longish and tended to be oily
and because she refused to dye it,
a spectrum of drab gray to ever darker ends
resembled a b&w rainbow. When she piled it into
a knot atop her head, it looked 
especially mismatched.

Alice’s self worth had formed
a permanent poker-face.
If her apartment had become
a mirror, she no longer saw her
own visage in it. She was curiously care free
in her fourth floor 
walkup mausoleum.
At night, she slept like a cat
curled up on the floor 
in a corner, her own
constant companion.

Because she had been able to dodge
the building’s super for years,
nothing had been fixed or repaired
in a decade. The high ceiling’s paint
had begun to peel off resembling
the surface of a giant upside-down
jigsaw puzzle. Near the back window
a gaping wound in the ceiling had opened up
like the door to another world
in a horror film. One couldn’t look
at it and not think of a swarm
of vampire bats pouring out
from it’s dark crevasse.
Not even her.

But to Alice, she delighted in living
inside her own namesake museum. 
She, like an item she failed to curate
was among the appropriated,
the lost and found…then lost again;
belongings awaiting their chance
to belong.
Paperwork from 1979 to present day
could be found swamping the floor,
a woman gathering evidence
as tactile proof of her own existence.
Everything held the same
emotional weight,
every purposeless piece
a sedated keepsake 
in stasis.

Did she, in fact, see herself in the broken things 
which she insisted were still worthwhile?
Here, in her hovel of solitude
who was to say otherwise? 
A pale light pushed it’s way through 
her make-shift window shades 
(made of bedsheets) illuminating
an unridden exercise bike
draped with a towel
that resembled a hobo’s ragged cloak.

Who can save me from myself?

As of late she had begun to fantasize,
first about a fire that would burn
away everything she owned, then
about a flood that would sweep away
every last bit of the detritus of her existence.
She remembered an old movie she’d seen
called Inside Daisy Clover. At the end of the picture
Natalie Wood blows up her beach house by
closing all the windows and turning the oven on.
She could still see Natalie triumphantly
trotting down the beach glancing back
at the explosion blowing the life she abhorred 
to smithereens. But Alice would have
no such luck. She couldn’t bring herself
to harm her neighbors, even though most of them
had condemned her as if she were a
hunchback living illegally in the bell tower.

People in general tended to make Alice feel
less than.  Though she could easily hold her own
in any conversation, she, like an elephant,
could effortlessly remember any detail told to her.
Alice could recall crying at least twice a week
for the last two years. It didn’t take much
to bring her to tears. A sideways glance 
would suffice.

Let me be who I am.
Your judgement only
tightens my hold on things.

Alice was made of an obstinance born of tyranny.
She had been brought up by her mother and grandmother
who were themselves locked like bucks 
in a constant quarrel for domination.
Her mother had been relegated to tending
the yard and garden outside the house.
The grandmother reigned over the interior, 
particularly the kitchen where no one was allowed
to touch a pot or cook a meal.
However, Alice was expected to clean up after eating.

The garden was off limits to her.
She remembered a story about a family
who had insisted on growing their own vegetables
only to die of cancer as their garden
was in the vicinity of a local power plant
and it’s poison had leached into the soil.
To think they perished believing they
were nourishing their family.
That story resonated with Alice
as its twisted irony woke something
inside her.
The truth was so often topsy turvy
that way.
Alice knew her life was topsy turvy as well.

Now, as she sat knitting a baby’s blanket
in both pale-blue and dusky-pink yarn
for a co-worker who was expecting
they knew not which, 
atop bloated bags of fabric samples
and various un-worn sweaters,
in the fading half-light of the veiled window,
she felt like a spider weaving a web,
stitching and looping
in the tidiest of 
zen-like knots
she could muster.


Peter Valentyne
May 5th, 2019


Tuesday, April 30, 2019

The Sex Life
of Flowers
That Bloom
Solely After
Dark

“There is nothing you can see
 that is not a flower; there is
 nothing you can think that isn’t the moon”
                                              ~Basho
i
Lost, without money,
night coming on,
I look for you
in the rain.
Finding my way 
to a hotel lobby,
there’s a call for me.
My heart quickens.
Could it really be you?
How would you find me?
How could anyone
know where I was?
I pick up the phone
surprised to hear
a pre-recorded message.
Heart stricken, tearful,
and damp thru and thru,
I re-cradle the receiver.
I ask a smiling woman 
with a dachshund 
on a leash,
“Are you an angel?”

ii
To dream
is to have
intercourse
with a flower.
It’s exacting;
an artful 
insemination,
a transfer 
of pollen
via the stamen
to the carpel,
an indelicate
fertilization
between
heart and mind.

Dreams
make 
us all
female.

I live 
half my life 
in a state
of abject
fecundity.
In this half-life
all things are 
possible.
Why take
such a thing
for granted?
Dreams 
with their
inside 
information,
both symptomatic 
and significant
cause me 
to ask
how
I can be
their only
vector?

ii
Each night
I experience
an involuntary
flowering
of my being, 
yet each 
resultant 
poem
is barely
an adverb
of emotion
in an 
amber
vase.
What better 
vehicle
for the illogical
when logic
threatens to 
make us ill?
So here I am
contemplating
the sex life
of flowers
that bloom
solely after
dark.

At night,
inside the
dream
we are
our own
light source.
It's here
I can
approach 
God
through 
the coitus
between
dark and 
day.

I am
my own
terrarium.

Why would
I settle
for a
hand-
me-
down 
God
merely
to lay 
my seeds
at the feet 
of a stone
sentence
whose nouns
are unknowable?
Instead,
I have 
cultivated a
first-hand 
knowledge
from the
botany
of a
broken 
heart. 

And so
I buzz 
about
in search
of sacred
pollen,
like a
church
busybody
syphoning
off 
gossip 
about
the gardener's
love life.
My prayers
know no
shame
nor are they
disbelieving,
as my mind
only knows
how to
bloom
and is
un-adept 
in any
other
courtship.

My dreams 
are incorruptible,
fanning out
from center
to circumference
like a wilder
version of
Lady Windermere’s
fan,
their delicate
fragrance
devised to 
encourage
only
random 
petals
of recall.

My dreams
occur 
un-beckoned;
a reckoning
from the
other side.
They sprout 
mysteriously,
uncontrived, 
mandala-like
patterns,
both holy 
and wholly
on their 
terms,
bearing gifts
extricated for
well being
like a compress
for drawing
toxins.

Because I 
am alive
and 
subject to shadows,
I meet
divinities
face to face 
behind the
sheltered
perimeter
of sleep's
veiled mirror.

Night is 
a soil
and
if God
is a planter
of dreams,
then
sleep is a
garden.

Who can say
which humus
is more real?
The one I 
build upon
by day,
or the one
that decomposes
by night,
floating
my fears
upward
like a 
lotus?


Peter Valentyne
May 2nd, 2019



Thursday, April 25, 2019

It All Started When
I Left Myself Behind

I would wake up exhausted.
Every morning
the same start.
Without realizing it 
I’d grown used 
to being in pain.
I didn’t expect joy
in the morning.

That said, I functioned.
My days were defined
by a series of duties.
I made myself useful
to my neighbors needs.
And my own.
I wanted to.

My feet hurt 
when I walked.
I needed to tell someone.
My doctor asked me if I
felt depressed.
I said no.
I really did’nt.

And so I began to let go.
How many were days left?
There was no way to know.
But I was more alive
than ever before.
Now.
I am love.
I am supernatural.
I am a sky
without clouds.
I have messages.

My nature is beauty.
My cinema is poetry,
a soil for flowering.
I have something
for everyone I meet.
Life out of dying.
Please take it.
It’s yours.

At last I am human.
So long in coming.
Life was a misunderstanding.
I thought it was for me.
When in fact,
it was for leaving
myself behind.

Peter Valentyne
An April of flowering, the 25th, 2019



Sunday, April 21, 2019

Day for Night

We suffer from syndromes.
My own is all-encompassing.
It’s symptom is an artificial
boundary between
night and day:
day for night.
I live
in suspended animation;
I am
the belief in a dream,
an encrypted light in darkness.
I am a cinema.
Every night 
a triple feature.

I’m not joking.
I watch life unfold
in dream time
via dream logic
and I’m not
the only one.
My dreams have
taught me
we are all living
double lives;
both
dreamers and dreamt.
Did you know
that the first film screen
was inspired by
the surface
of the moon,
followed
(in close second)
by the proverbial
bed sheet?

Humanity is our sole art form,
whether one knows it or not.
I’m grateful I know it.
It allows a certain freedom.
To believe or not to believe.
I am a constant Hamlet
musing on not two
but one question
with twin answers.
Your life and mine
are conjoined.

I am Hitchcockian
because my mind
generates
round the clock
 suspense.
I am the thinking man’s McGuffin.
My death is dynamite
taped beneath the dinner table,
a bomb strapped to my chest.
I’m no explosives expert,
but it’s going to go off.
But who can tell me when?

To sleep
or to know you are asleep;
those are the choices.
I am grateful
I've been given this
one up on.
You can too.
Why not
do what I do?
Practice every night,
and at morning
weigh your illusions
against the stuff of dreams.
Be careful not to lose track
of which is which
or it's you
who'll be lost
in the mix.

There have been men
who lived life awake,
but they are few.
Jesus, Buddha, Edison,
the Lumiere brothers,
etc.

What I want
is a muscular life,
more than crepuscular,
a bodybuilder
of understanding,
even if what I understand
reveals my weakness.
Oh, but let me be strong.
The older I get
the less I know for certain.
Yet, my surrender is sound,
taught as it is
each night
by
rebounding starlight.

In fact, only the stars
know how this thing will end.
Spoiler alert: Castor and Pollux
aren't merely supporting players.
If anything,
they are the very subtext of night.
Only they know why
and they're not talking.
Can we ever fully know
why anyone does anything?
Any story proves that.
A single story is
nothing more than
an angular ray of light.
You never know
what’s being
left in the dark.
Not to mention
most of us 
aren't off or on script
(even when
making it up
as we go along.)

The great religions all say
we are asleep.
What would it mean to wake?
To live awake in a world
of sleepers
is my recurring nightmare.
To second guess every clock.
To love for the sake of loving
never sure of the integrity
of what you are placing 
your faith in. 

I am a cinema.
An evening’s shadowy noir.
I reflect on moon beams,
a life of countless projections 
and richocheting narratives.
I can only hope
mine might compliment your’s.
Sometimes light collides with light
bent on our 
mingling in the dust.

I dream for a living.
My strength is in surrender.
I keep my love alive
by knowing nothing
save this:
There is no film
to be found
in the camera of our consciousness,
 only a shimmering chimera.
We are holographic;
a single dream
containing
the whole world.


Peter Valentyne
April 21, 2019