Tuesday, September 29, 2020


 Eyes for a Mouth


Our faces 

have gone

into hiding.

Parts 

unknown.


Left to our 

own devices,

Corona has

abandoned us

to our natures

and so we've

traded 

our mouths

for eyes.

Now we are 

the sum

(and substance)

of what 

we’ve buried;

unintended gardens

of ravenous 

red

forget-me-nots.


Outside, mummies

are begging 

the streets

in disregard

of the laws

of the moon.

Don’t they know

the moon is 

not a stopper

but an opening, 

a mouth.

Only at night

have we ever been

so wide open.


We are all

in rags,

masks muffling 

our every response

along with

our fetid breaths

as we recycle

our own air

and subsist on

a born-again 

oxygen. 

If there is

to be

no more

mouth to mouth,

then who

can save us?


How will I 

know my brother

gagged behind 

a wall?

How to

love another

when kissing 

becomes

this suspect?


Our masks keep

our mouths 

in their place.

Now

I am all eyes

interpreting only

half the truth.

My unseen

“How are you?”

no longer answered

with anything

but an ironically

hampered

“I’m well”.

When

I’m well is barely 

possible.

And yet I am.

You need

only rephrase me.

I am at the bottom

of this well

because

only now has it

become possible

to know what 

I must do.


Peter Valentyne

September 29th, 2020


Thursday, September 10, 2020

Tuesday, August 4, 2020

Dreamers 

Anonymous


We met in

room 1111 at 11PM.

There were 4 of us

in folding chairs.

Mine had several 

initials scratched

into the seat.

None of them

 mine.


A naked lightbulb

hung from a cord

like a suicide

of counterfeit light.

The instructor was female.

She called us inheritors.

Her voice was 

wholly masculine.

I took notes.

Dreams are a misnomer.

Dreams are tired.

We must never

call them dreams

and for God’s sake

never nightmares.


As above so below,

or in our case

as below so above.

You are a crossroads.

Think of your

days as horizontal,

your nights as vertical.

You are travelers

to a dimension

where no rules apply.

You are the crux.


You are here because

you have a talent

for abandonment.

You relinquish yourselves.

Your bodies are

vessels, airborne

and sea-worthy.

I am essentially

addressing

4 beached boats.

All that can remain

is memory,

and memory is

subject to 

cessation.


The instructor 

then presented

flash cards.

Toad. 

Pine cone.

Fairy. 

Stone.

Tooth. 

Grave.

Bird. 

Cloud.


She resorts

to mathematics.

If a bird

in the hand

is worth

two in the bush,

how much is

an egg worth?

No one 

dares say.


Again

she challenges

our associations.

Nothing we think

is right.

An artist never

resorts to blueprints.

On the contrary,

we are thieves

who can leave 

no prints.

Not where we’ve gone

or are going.

We are here

because we agree

each night

for the dark

to steal us away.

The question is

who or what is

having its way

with us?

Our beds are

a crucible.

Vulnerability, 

our only 

requirement.


For now, as we

are novices (ha!)

we lack stamina.

We are not 

in the saddle.

She loops

an imaginary rope

and casts it forward.

Later, she implies,

we will have

a newborn 

fortitude.

I am happy

to be a baby

again.


The pock-marked man

asks how can 

surrender

ever lead to

command

or personal 

jurisdiction?

An egg head,

I assume.

We can’t help 

but think.

A commander

knows how to

surrender,

she corrects.


Are we going

into battle,

I ask on the inside. 

She responds

as if she heard me.

You are all

your own

civil wars.

So what are we

fighting for, I ask.

All this war imagery,

really?

Mastery, she answers

bluntly.

To quote Blake,

You are 

the marriage

of heaven and hell.

There are no Gods,

nor are there devils.

No countries,

only nameless lands.

There is consciousness

and unconsciousness.

Asleep or awake.

If you hadn’t guessed

already, you are 

more asleep

in the day

and more awake

in the night.

That is why

you are here.

This is where

our work 

must begin.



Peter Valentyne

August 4th, 2020


Monday, August 3, 2020

Beatitude


“Within despair lies 

the joy of beatitude”

                ~anonymous


I remember Gide.

Gheeeed.

A time when

I was both real

and counterfeit.

Before I invented

myself as a reason 

to entwine 

my body

with another.

In the future

men were

both

crude and

insensitive.

I would be 

different.

Now

a single tree

can topple me.

A glass 

of wine

all that’s needed

to destroy

my separateness,

and sunlight 

the one thing

making me

still possible.



Peter Valentyne

August 3, 2020


Tuesday, July 28, 2020



A Circle of Two
(in memoriam for Bob Hock)
5/20/31 ~ 6/25/20

I remember thinking
What if this is
the last time I ever see him?
Bob had just come from the CVS
and was crossing 42nd street with
an un-customary grimace on his face
contorting into a crescent smile
the moment he saw
me closing in.

I could tell he was in pain
and he probably 
didn’t want me knowing it,
never wanting to draw attention
to his defects or what might
be ailing him
as he was trying so clumsily 
to be one of the living.
“Oh Bob,” he would scold himself
in the third person,
“Pull yourself together.”

But there we stood
on that perpetually windy corner,
Bob’s CVS bag bloated
with an addict’s spoils
and me gripping my backpack 
cross my shoulder,
chockfull of vague concern.
 “You’re the soul of determination”
I told him, trying to be
encouraging. 

I had heard he’d come round
in the last week
to Bingo and was looking much better.
They say he’d even been
seen gobbling down an ungainly sized
wedge of cake at the senior hour;
a grown man mimicking
a saucer-eyed child.
I can just see the theatrical face
he must have made, 
the actor in him 
ever ready to
return to the boards.

Bob would announce himself
with that funny gait of his,
a stride that, I felt sure, had been quite sexy
in youth, but now had evolved into
a kind of wounded affectation. I knew
he was in pain only because
we once spoke about 
the spaced out effects of pain pills
after an un-characteristic confession 
that his feet
had hurt him everyday
for a decade.
Still, he managed to smile.

“How are you feeling,” I asked.
“Oh, I’m soldiering on,” he said flippantly.
Bob would always leave room
for life to return to a comedia.
His own pratfalls had unfortunately 
become all too common.
Dressed in his plaid
flannel shirts and suspenders
and sporting Freud’s reading glasses
you’d be forgiven to think him
a sophisticated hayseed,
but of course, with an Ivy League education.
Bob’s quaintness was disarmingly
old school.

I once saw him talking
to a much younger man
that looked like the other end 
of himself.
I wondered whatever were
they telling each other.
Why is it so odd
to see the young interact with the old?
Maybe because there's only so many ways 
you can hide infirmity with a smile.
And yet, he was smiling.

“I keep to myself”, he once said. 
“Young people are from outer space.”
I laughed, convinced that it
was just his fatigue talking.
But who knows? Maybe we are
all only the stuff of stars
until we birth a soul.
My inner thoughts continued 
to square the circle.
What if we were cobbling
our souls together
all along
every time we dared to use
the imaginary tools
of childhood?
If that were true, 
what an arsenal
Bob had possessed.
I say “had” because
this gentle accomplished man
could no longer recall
his accomplishments.
If it comes to that,
maybe the truest thing
we can trust in
is the present moment
after all.

Bob had a fear of falling.
Life had become a balancing act,
each day passed in
a death-defying circus ring.
Of late, he’d taken to walking
around the block 
gripping tightly to his rollator,
daring someone
to meet his eyes.
More than that, he wanted
to be seen through 
to his very insides.
To meet that person
who could comprehend the
journey that was curling
around itself like a nucleus
at the heart of him,
as if recognition might
close the circle.
Was I that person?
  
In this last year Bob
had lived like a moon
ever on the wane,
slowly surrendering
it’s phases in the sky,
unable to remember
his life
in the spotlight,
his handsomeness
sunk beneath 
it's lunar surface, 
nevertheless he was
a man of an
astronomical inner beauty.

Now, here, amidst 
the unrelenting realism
of 10th and 43rd street,
a wind conspiring to 
blow us both away.
I hugged this 
tender comrade 
of a man
and for one 
indistinguishable moment
we were 
a circle of two.


Peter Valentyne

February 9th, 2019

Sunday, July 19, 2020


The Carbuncle 

I haven’t told anybody but
I’ve had a carbuncle
ripening on the the back
of my head for weeks,
like a fetus poking
its finger through the skin
of a red balloon. 
I am that balloon
trying to pass a stone.

I guess I should be grateful
its not on my face for
the whole world to see.
I prefer my suffering
in silence,
hidden beneath my hair.
Besides, everyone would
sure to mistake it
for a wound,
when in fact
it is my art.

All my pain
has been coming
to a head.
At night
I use my bed pillow
as a compress
hoping for the Rorschach stain
to discharge
and leave its 
beautiful mark.

I feel
a ripening is coming
and I am 
running out of time.
My body strains to release
its mounting
sands
like grit to a pearl;
I am the hunchback
of my own private
Notre dame.

What will I do
if my sorrows
were to pass?
Who will or would I be?
My life is 
a sideways
hourglass,
clock without hands,
my heart steeped in prayer
inside a cathedral
of suspended animation.

Progress is now on foot
as I walk the desert sands
looking for something
tantamount to
a father
missing in action.
Every pearl begins
as just this sort of cyst,
pushing at the 4th wall
between night 
and the burgeoning
poem
of morning.

Today I woke up
weeping for the world.
What with this one’s death
and that one’s shame,
I put my art to use.


Peter Valentyne
July 19th, 2020