Tuesday, July 28, 2020



A Circle of Two
(in memoriam for Bob Hock)
5/20/31 ~ 6/25/20

I remember thinking
What if this is
the last time I ever see him?
Bob had just come from the CVS
and was crossing 42nd street with
an un-customary grimace on his face
contorting into a crescent smile
the moment he saw
me closing in.

I could tell he was in pain
and he probably 
didn’t want me knowing it,
never wanting to draw attention
to his defects or what might
be ailing him
as he was trying so clumsily 
to be one of the living.
“Oh Bob,” he would scold himself
in the third person,
“Pull yourself together.”

But there we stood
on that perpetually windy corner,
Bob’s CVS bag bloated
with an addict’s spoils
and me gripping my backpack 
cross my shoulder,
chockfull of vague concern.
 “You’re the soul of determination”
I told him, trying to be
encouraging. 

I had heard he’d come round
in the last week
to Bingo and was looking much better.
They say he’d even been
seen gobbling down an ungainly sized
wedge of cake at the senior hour;
a grown man mimicking
a saucer-eyed child.
I can just see the theatrical face
he must have made, 
the actor in him 
ever ready to
return to the boards.

Bob would announce himself
with that funny gait of his,
a stride that, I felt sure, had been quite sexy
in youth, but now had evolved into
a kind of wounded affectation. I knew
he was in pain only because
we once spoke about 
the spaced out effects of pain pills
after an un-characteristic confession 
that his feet
had hurt him everyday
for a decade.
Still, he managed to smile.

“How are you feeling,” I asked.
“Oh, I’m soldiering on,” he said flippantly.
Bob would always leave room
for life to return to a comedia.
His own pratfalls had unfortunately 
become all too common.
Dressed in his plaid
flannel shirts and suspenders
and sporting Freud’s reading glasses
you’d be forgiven to think him
a sophisticated hayseed,
but of course, with an Ivy League education.
Bob’s quaintness was disarmingly
old school.

I once saw him talking
to a much younger man
that looked like the other end 
of himself.
I wondered whatever were
they telling each other.
Why is it so odd
to see the young interact with the old?
Maybe because there's only so many ways 
you can hide infirmity with a smile.
And yet, he was smiling.

“I keep to myself”, he once said. 
“Young people are from outer space.”
I laughed, convinced that it
was just his fatigue talking.
But who knows? Maybe we are
all only the stuff of stars
until we birth a soul.
My inner thoughts continued 
to square the circle.
What if we were cobbling
our souls together
all along
every time we dared to use
the imaginary tools
of childhood?
If that were true, 
what an arsenal
Bob had possessed.
I say “had” because
this gentle accomplished man
could no longer recall
his accomplishments.
If it comes to that,
maybe the truest thing
we can trust in
is the present moment
after all.

Bob had a fear of falling.
Life had become a balancing act,
each day passed in
a death-defying circus ring.
Of late, he’d taken to walking
around the block 
gripping tightly to his rollator,
daring someone
to meet his eyes.
More than that, he wanted
to be seen through 
to his very insides.
To meet that person
who could comprehend the
journey that was curling
around itself like a nucleus
at the heart of him,
as if recognition might
close the circle.
Was I that person?
  
In this last year Bob
had lived like a moon
ever on the wane,
slowly surrendering
it’s phases in the sky,
unable to remember
his life
in the spotlight,
his handsomeness
sunk beneath 
it's lunar surface, 
nevertheless he was
a man of an
astronomical inner beauty.

Now, here, amidst 
the unrelenting realism
of 10th and 43rd street,
a wind conspiring to 
blow us both away.
I hugged this 
tender comrade 
of a man
and for one 
indistinguishable moment
we were 
a circle of two.


Peter Valentyne

February 9th, 2019

Sunday, July 19, 2020


The Carbuncle 

I haven’t told anybody but
I’ve had a carbuncle
ripening on the the back
of my head for weeks,
like a fetus poking
its finger through the skin
of a red balloon. 
I am that balloon
trying to pass a stone.

I guess I should be grateful
its not on my face for
the whole world to see.
I prefer my suffering
in silence,
hidden beneath my hair.
Besides, everyone would
sure to mistake it
for a wound,
when in fact
it is my art.

All my pain
has been coming
to a head.
At night
I use my bed pillow
as a compress
hoping for the Rorschach stain
to discharge
and leave its 
beautiful mark.

I feel
a ripening is coming
and I am 
running out of time.
My body strains to release
its mounting
sands
like grit to a pearl;
I am the hunchback
of my own private
Notre dame.

What will I do
if my sorrows
were to pass?
Who will or would I be?
My life is 
a sideways
hourglass,
clock without hands,
my heart steeped in prayer
inside a cathedral
of suspended animation.

Progress is now on foot
as I walk the desert sands
looking for something
tantamount to
a father
missing in action.
Every pearl begins
as just this sort of cyst,
pushing at the 4th wall
between night 
and the burgeoning
poem
of morning.

Today I woke up
weeping for the world.
What with this one’s death
and that one’s shame,
I put my art to use.


Peter Valentyne
July 19th, 2020

Tuesday, July 14, 2020




I Want My Art to Address 
the Mysteries of the Soul


I want my art to address the mysteries of the soul. When I say “my” art, I mean the art I resonate with, the cinema I watch, the books I read, the paintings I’m drawn to, the poetry I read and/or write. By “mystery” I’m referring to those things which are often demoted or promoted to the category of fantasy. The ghosts, the dreams, the poems, the simple acknowledgement of the meta-physicalities representing the greater scheme of life itself; the things we live on top of and take no notice or give much thought to until they act up and act out in a primal bid for our attention. Building our lives (houses and malls and highways) on the burial ground of ancient ways that occasionally bubble up through the cracks of “civilization” in sympathy ( and synchronicity) with the Gods. Psychologist James  Hillman reminds us that “soul enters only via symptoms, via outcast phenomena like the imagination of artists or alchemy or “primitives,” or of course, disguised as psychopathology.” That’s what Jung meant when he said the Gods have become diseases: the only way back for them in a Christian world is via the outcast.

I want an art that causes the invisible to overthrow my lazy reliance on the seen. I want insight! Eyes are not the only organs capable of seeing truth. The heart sees, the hands see, the nose sees, even the mind when toppled from its egoic throne is capable of seeing things it could not have foreseen. 

In our time we are living with an existential threat on a daily basis. Great swaths of the world are being infected by a global pandemic whose organic blueprint breeds without discrimination. Yes, some of us are more vulnerable than others. But the ones less vulnerable are being coopted as carriers (terrorists with a virus strapped to their breasts). The breath, which has long stood for the basis of life itself has been turned into the deliverer of disease and death. We live in a moment where the simple epithet “I can’t breathe” has taken on a plethora of meanings. None of them good. And I am encouraged to reach figuratively for higher ground. 

I offer that now is the time to ponder our human parameters in a new light. In other words, our chronic time-worn boundaries that may be keeping the once unthinkable, from becoming possible. If we were to know how much time we have, or the width of the island we find ourselves roaming, or the breadth of the dream we are invested in as if our bodies ended where the rest of the world began; would this not assist us in navigating our lives? I am not referring to any mundane measure of time but rather to a multi-dimensionality that we have hitherto excluded as being an invariable part of ourselves. Consider for a moment this maxim attributed to Plato: Do thy job and know thyself. I interpret this to mean that if we were to do our job we would surely see that our first priority is to know who we are and what is proper for us. Therefore it would be prudent for the knower of oneself to no longer take extraneous business for one’s own, but loving and cultivating oneself before anything else, refusing superfluous occupations and useless thoughts and projects. True folly would derive from getting what one wanted, yet never thinking one has obtained enough; so wisdom tells us we ought be always content with the present and never displeased with what is. This is not so much about closing doors, but about knowing a door when you see one. 


Where does my body end
and the world begin?
How is an island like a lifetime?
What vessel holds me
as if I were a flower?

Why is no souvenir 
of a dream possible?
If I hold a stone in my palm
all night, will I have
taken it with me? If so,
where will we have traveled?

What if my guardian angel
occupies the same space
as I do?

How shall I differentiate us?



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Monday, July 6, 2020

Amor Fati
(Love of One’s Fate)

I am an abalone diver.
If I don’t go down
to the depths,
I won’t come back
with anything.
Down there
I once found 
a dying man’s
treasure chest,
the kind
a child would
make out of 
a cigar box,
a blazing Phoenix
painted on it
no sea water
could extinguish.
What was inside
would surely
rock the world.
A scribbled note 
quoting Nietzsche’s 
last words:
“Mother, I am dumb.”
Dreams are how
I listen to myself.
One day I found
a stone and
took it to bed.
I woke up
on the floor
in mourning,
the mineral
still in my hand.
What have I
in common
with a stone,
that I should
live my life
married to
the earth
each night,
only to
part ways
at break
of day?


Peter Valentyne
July 6th, 2020