A
Botany
for
Silk
Blossoms
Half of me lives
on its own now,
tired of being shaped
by what the other
half might give.
In fact, we
no longer
use the word “I”
without irony.
We’re both too
full of ourselves.
Ours is
a gardener’s ethic,
rising early
to work
with the light.
I weed my mind
using imaginary tools
because I know that
Hope is a garden
and attention,
a spade.
Between us
we are both
botanist and flower;
planter and blade.
But the other half
is vaguely narcoleptic,
prone to bouts of sleep,
with his hidden blueprint;
a negative of roots
beneath ground
whose receptivity
leave passageways
open
so that anything
might arrive.
That said,
the dark brings out
its dead, a village
roused by plague.
So much death
is sure to make
things grow
in spades.
If daylight’s
a natural disinfectant,
I am my own medicine.
Just as lavender
needs contact
for its sap
to reach out
through needles
into thin air,
we feel with fingers
a lingering bent;
unlike silk
what is alive
can flower
and write
our name
in it's scent.
All plants
take the weather
personally,
as if simpatico.
Perhaps they practice
hearing clouds
arriving often
as they do
without fanfare,
marching softly
in their cotton parade.
Then hear them
disassemble
into rain,
they themselves
made as much
for blue
as chalk
for slate.
For better or worse
like us, clouds
carry their lives
with them
wherever they go,
even if no sky is ever
the same as another,
they never question
the motives of
the other.
Maybe if we could
in time
stop needing to make
everything our own,
with no right
to ownership,
everything on loan,
we might shape
what we give
from even thinner air,
our memories
more than
mere merchandise
abandoned at the fair.
Nor is it fair to others
to be carting around
our recollections
like so much
bric-a-brac
at the church bazaar,
when for some,
art is no more
than silk flowers
in a jar.
08/10/21