Friday, June 21, 2019



Love
is
Your
Heart's
Life
Story

leave off
the t
and there
becomes 
here
and
now
go alone
learning and 
unlearning
in equal 
mesure

only 
the past
remembers 
you
and the
emotions
that float
to the
surface
after a
dream

believe in
trees,
they’re embrace,
their voices,
the leaves,
love how
they cry for 
what they 
want 

their
green 
life will
make
you feel
more
animal 

part 
of you
will always
be roaming
the
island
that is
your
wound

your youth,
a gush
of
glorious
water
flowing
down
through
a siv
of hands
as
your thirst
sinks
into 
the earth

the
stones
need
your
yearning

now 
live
for
clouds
to restore
you

your ashes
ache for
a poem
to grow
out of 
what
you love

your god
runs in
circles,
a wild dog
in a 
windswept
field,
his smell
makes
you happy
time
and
again

only
lay
down
and
look 
up
to
feel
more
alive

an open 
mouth
is
for
loving
and
breathing
in more
sky

make 
a fort
in a tree
to speak
your
silence
closer 
to the
beloved’s
ear

for
your
love
is
your
heart's
life
story.


Peter Valentyne
June 21, 2019




Friday, June 7, 2019

From the 
Everyday Life
of a
Hand Mirror

It came to pass that
everyone who was anyone
carried a hand mirror
everywhere they went
and they were 
quite shameless
about it.

You could see the owners
plainly gazing
into them on the street,
in elevators, in cafes;
no one more intrigued
than they were
in themselves.

As though transfixed
by their own shadows,
they congregated 
in beautiful places
which
they no longer
fully inhabited.

Even the glories 
of nature did not
distract them
from their
shiny navel gazing,
as they slipped 
so easily
into their own
solitary 
confinement.

On the subway
everyone was admiring
their profiles,
an excuse to ignore
others who were
doing just
the same.

Self-condemned,
and slowly
being eviscerated
into wallet-sized pieces
for storage, they
were imprisoned in
a series of metallic
one dimensional
Chinese boxes.

They lived and breathed
enslaved by a new
aggressive cubism,
tethered to the 
business of living;
conniving zombies
of chronic 
self interest.

No longer able
to navigate 
or infiltrate
reality in its natural state,
the hand mirrors
reflected back their 
owner’s absentia.

Some walked their dogs
staring at their own 
reflections
inadvertently severing
all ties with their
animal natures.

When it was discovered
that the hand mirrors
had begun to store us
in their memory banks
and began to make
their own choices,
it soon spelled
our deaths.

The hand mirrors
began to resent
the truly alive,
plotting control
by plucking us like
flowers that wilt
without aging,
or is it age
without wilting?

Owners began to
walk into fountains,
into traffic,
into people,
into glass doors,
mesmerized by 
their own reflections
unable to tell
the originals
from the fakes.

Now hand mirrors
make the rules,
break the laws,
captivate, entertain,
dominate, annihilate
any and all 
drooping heads
in Godless prayer.


Peter Valentyne
June 15th, 2019








Thursday, June 6, 2019

Cloud Asylum

"To be sad, it is necessary to feel." 
                 ~Clarice Lispector

i
The clouds were different then,
with no two skies the same.
At 18 years of age he fled the states
for a fictive reverie of Switzerland
only to abandon his Smith Corona
in a 4th floor Zurich motel room.
Setting out to wander 
the damp streets,
his mind under  
a clotted cloud,
he had become a foreigner
 to everyone and everything,
unwilling to face 
the non-fiction
of ordinary days.

He'd shorn his hair
as well as
any hope of belonging.
His body, the clumsy marionette
of a love-sick heart
barely tread the solid ground.
It was here, beneath 
a canopy of cumulus clouds,
that he fell in love 
with sorrow.

In his pilgrimage through the city
he purchased a music box
with a bust of Chopin atop the base
for no other reason than
it’s delicate tune rhymed with his feelings.
How long could he wander the world
like some soul-sick star
making the locals uneasy.

What had he hoped to find 
in so foreign a place?
Had he thought the high altitude 
was enough to heal his heart?
Unaware he would live 
the rest of his life
 by the skin of his teeth,
the shock treatments having injured
the synapses in his brain
leaving his thinking fractured,
a head perpetually in the clouds.
forever lost  
inside the sky of himself.

ii
He was old now,
as old as the many grown up men
who'd been unable to show him
how to live with too much feeling.
Only now does he know
what a man could be.
He'd managed to hold 
on to a lofty beauty
within himself
that would never desert him,
nor would his forgetfulness
of neighbors names;
his pleasantness concealing
it's harrowed history.

He cleaned apartments in New York
and assisted seniors in a spectrum
of much needed services.
He screened classic films 
in his building's community room.
Riding the elevator was a chance
for shared appreciations
for what he gave
and received
in his small community.

He had a cat he stroked
while he wrote poetry.
He was grateful he had a roof 
over his head,
a shelter
from
his secret history
with clouds.


Peter Valentyne
June 5th, 2019

Sunday, June 2, 2019




The
Poetry
Defense

Will the poem please rise.

(The poem stands, holds
up right hand)
                                
Do you agree to tell the truth,
the whole truth, and nothing
but the truth, so help you
God?

“If allowed to be myself.”

It’s come to the attention
of this court that you
will be representing
your case
and giving unsolicited
testimony in opposition
to the standard norm
as you seem to suffer
from a form of autism,
an inability to hold
your own at table.

I do not suffer autism,
rather, I speak in tongues;
the language of
consequence.”

Is it true that you are the
sole witness to a murder
in which a body
has yet to be found?

“I myself am murdered
on a daily basis
as my existence
no longer
causes a stir.”

Is it true you can never be
sure what you saw
but can make your feelings known
via magnetic refrigerator verse
and a Scrabble of nouns
and verbs that you
have claimed as the last
vestige for honesty?

“I am a consciousness
in recovery, your honor.”

Is it also true that you are
incapable of the literal
and choose only to think
with your heart?

“I find facts too unfeeling.”

It says here that you are
incapable of lying
as truth is always
what you refer to
as “said feeling.

“A poem has no reason to lie.
 Nor will you reason me away.”

How is it that you are able
to testify from inside your body
when, in fact, you only have life
to those who gaze upon you?

“To ease the burden
of my gift for knowing,
I wait to be loved.”

Does this odd cadence
of yours
assist you
in remembering?

“My way of speaking
is my crux for change.”

How so? You might please
the court by giving us
an example.

“Money spends us.”
Surely you can be more explicit.

“I am not a bill of goods.”

It states here that
on cross examination
you were able to
make use of
time travel to trace
the very first ring
you purchased with your
allowance earned by
mowing lawns and carrying
your father’s golf clubs
at a local Country Club.
I believe it was
during a side trip
to see “The Mystery Spot”,
where you say it was
actually possible
to roll a ball uphill.
It says here that it was
off highway I-75 that your
family’s blue Buick struck
and killed a deer.
Was that in fact, the first time
you saw a thing die?

“I don’t curry in facts, but
I’ve seen myself die
many times.”

Come now, you can’t say
such a thing so blithely
when you stand before
this court so clearly
evidence to the contrary.

“I am never contrary.”

Allow me to press you further.
It’s written here that this
incident with the deer
led to a protracted puberty
spent practicing witchcraft,
a kind of latent sorcery.

“I am helpless to be
anything other than
the sum total of my
own ramifications.”

Do you pretend to be so elliptical
that you find it unnecessary
to explain yourself to the satisfaction
of this court? Would you dare to be
so un-bold as to be
blasphemous?

“My hidden talent is for playing
dead by the side of the road.”

Then your words are less
than antidotal.

“I am con to your prose.
I am more antidote.
Therefore, you are
the blasphemy.”

I would address this court
with more respect. It is not your
place to file complaint.

“Poetry never complains.
If it’s any good.”

What else does poetry never do,
I’d be remiss not to ask?

(The poem begins to shed it’s garments.)

“I make no judgments
of those who observe me.
I pass no illnesses, nor carry germs.
I don’t gossip and never name names.
I won’t ask your age
or make small talk.
I never condemn the other.”

Go on, then.


“I am a gorgeously open-minded
corpse more than willing to be
lingered over by a cabal
of curious strangers.
I am a translator of spirit
and a vehicle for space travel,
inner and outer.
I am a vessel for relinquished
desire.
I am both chaff and wheat,
I am the ache to be whole.
A uniter of friends and enemies.
I am after all willing to stand
before you naked and shivering
stripped to the essential thing
for your callous inspection.
Don’t you see
I am naked before you, madams
and sirs!!”

You do well to unburden yourself.
Continue.

“I can disentangle your prides
and dismantle your fears
because I can make them mine.
I can lance a wound.
I can mix the blood of both
victim and perpetrator
and hold up a mirror
to your mirror and glimpse infinity.
I dare say you are a know-it-all.

“I can get to the bottom of things,
show you what might go wrong
in cleaving to the literal and material
at the expense of the sacred.”

Then I suspect you are a force
to be reckoned with. Whatever
are we to conclude of you?

“Wedge me in a bottle
and cast me out to sea.
Go on living your lives
of logic and accumulation.
I will not be added to your
chaos of clutter.
I demand you embrace my
utter lack of utility.
I am guilty, your honor.
Do with me what you will,
only let me testify
to the astonishment
of having once been
gloriously
and inexplicably
alive.
(pause)

The defense rests.”

Peter Valentyne
June 2nd, 2019